Archive for the ‘compact digital camera reviews’ Category
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F70EXR-001
Image by hopeless128
22 July 2009: Fujifilm today announces the FinePix F70EXR, the Company’s first model in the growing long-zoom compact sector.
The FinePix F70EXR gives three critical improvements on current models. First, image quality. The one drawback with long zoom cameras is that the sensor has to be necessarily small, with less light reaching the CCD than would be the case with standard compacts. Fujifilm has introduced its award-winning EXR technology into the FinePix F70EXR, giving a significant improvement in image quality against other models. The second major benefit of the FinePix F70EXR is the neat compact design.
At only 22.7mm thick and crafted into a beautiful sculpted shell with a double -coated lacquer finish. Lastly, Fujinon 10x Zoom lens, developed in conjunction with the Super CCD EXR sensor, produces crisp high resolution results throughout the focal range, from 27mm wide-angle to 270mm telephoto.
Super CCD EXR-The Quality Edge
Introduced earlier this year with the FinePix F200EXR, this radical new approach to sensor technology has paid handsome dividends with a stream of positive reviews. Modelling the EXR sensor on the human eye, for the first time the user can ‘flex’ the behaviour of the sensor according to the scene to the photographed. When the light is strong and even, the camera can be switched to HR (High Resolution) mode to ensure every small detail is recorded.
When light is strong but contrasty, the sensor can switch to DR (Wide Dynamic Range) mode to get the optimal balance between highlight and shadows. Lastly, in low light the sensor will switch to SN (High Sensitivity and Low Noise) mode, to ensure clean noise-free pictures even in the darkest conditions.
EXR was invented to maximise quality when the size of the sensor is necessarily constrained. So EXR is a perfect sensor for a long zoom compact, delivering extraordinary results even in the most challenging conditions.
EXR Modes – You Decide
The FinePix F70EXR is fitted with the same EXR Priority modes as its more premium F and S sister cameras (F200EXR and S200EXR). Users can choose to default to HR ‘Resolution Priority’, SN ‘High ISO & Low Noise Priority’ or DR ‘D-Range Priority’ for consistent shooting using one sensor setting (for instance, always choosing ‘best dynamic range’ whatever the lighting conditions).
A fantastic addition to the FinePix F70EXR, EXR Auto takes the guesswork out of setting the camera by doing everything for you. EXR Auto is essentially a very sophisticated set of program modes. The camera can automatically detect six different types of scenes – Portrait, Landscape, Macro, Backlit Portrait, Night, and Night Portrait. The camera will recognize the scene and not only will optimise focus, colour balance, exposure, flash and sensitivity, but will also automatically switch the sensor to HR, SN or DR mode depending on the lighting conditions of the scene.
Users of the FinePix F70EXR will rely heavily on EXR Auto for their general photography, as for many, letting the camera ‘do all the hard work’ leaves the photographer free to concentrate on getting the best shot possible. And a camera like the FinePix F70EXR, taking demanding shots in challenging conditions from macro to full telephoto, needs a sophisticated sensor and control algorithms to ensure every shot looks the very best.
Super Slim 10x Zoom Lens
Most long-zoom compacts are hybrid models between bigger bridge equivalents and smaller 5x compacts. They are often bulky and not designed to be pocketable. After much market testing Fujifilm opted for a sleek, thin design, almost the same thickness as current x5 models. The FinePix F70EXR is not only perfect for general family use but also for ‘enthusiast’ photography and will be a perfect camera for both men and women alike.
The 22.7mm-thick metal chassis oozes quality while the double-coated varnishing not only protects the camera from accidental knocks, but provides a jewellery-like finish.
It’s all in the lens
Long zoom compacts depend heavily on the quality of the optics, so no expense has been spared to provide the FinePix F70EXR with the sharpest, clearest Fujinon 10x zoom lens. The lens of F70EXR features Super Electronic Beam Coating (EBC). The original coating system of Fujinon that keeps ghosting and flare to minimum to promise optimal picture quality. Enabled by making the reflection to low level even under extensive wavelength with special coating structure. At the same time, newly designed complex aspheric lens and original lens driving unit promises minimum color aberration all in a slim body.
DSLR-like Effects with Pro-Focus Mode
Typically, one of the ways to distinguish ‘DSLR’ photography from ‘compact’ photography has been the use of ‘wide aperture’ to create mood and depth in a picture. These ‘professional’ shots are now possible on the FinePix F70EXR, uses Pro Focus Mode to combine 2 or 3 burst shots together. Through complex digital imaging technology, a crisp shot of the subject is created against a defocused background and foreground. Ideal for portraiture, nature photography or any subject which needs ‘lifting’ from its background, the FinePix F70EXR Pro Focus Mode provides satisfying professional results at the touch of a button.
The Pro Low-light Mode is applied to solving the problems of noisy low light shots. With current cameras, it is possible to achieve relatively blur-free low light shots using high ISO and CCD shift (or optical image) stabilization. But this comes at a cost, as the ISO 1600 setting will invariably produce distracting and ugly noise. Once switched to Pro Lowlight Mode, the camera will take burst of 4 high sensitivity images using Pixel Fusion Technology* in quick succession. By Multi Frame Technology, 1st, 2nd, 3rd and 4th images are overlapped to create one image with extremely low noise.
Load Your FinePix F70EXR with Film
Similar to other high-end FinePix models, the FinePix F70EXR offers 5 different film ‘modes’ to allow the photographer full creative expression to explore a variety of pre-set colour and contrast modes designed around Fujifilm’s most famous film emulsions. The modes are: Velvia/Vivid (for dramatic full saturation colour), PROVIA/Standard (for classic ‘neutral’ photography), ASTIA/Soft (for gentle, low contrast portraiture and soft, fine, smooth tonality), Sepia (for antique, warms tones) and Black & White (for dramatic monotones). In the Velvia and Astia modes, the dynamic range can now be set to 800% to improve highlight detail yet further.
New ‘Super Intelligent’ Flash
The FinePix F70EXR offers a radically improved flash control system which efficiently controls the level of flash for a given exposure to produce beautifully balanced flash illumination across the foreground and background. Gone are the ugly washout shots where the subject is blasted with light and the background dark and unexposed. Super Intelligent Flash is most useful in macro photography where the contrast between subject and background can be especially challenging, but is also effective for night and backlit photography.
New High Contrast LCD
The FinePix F70EXR is fitted with an improved high contrast 230k dot 2.7” LCD. The high contrast LCD is a considerable benefit in bright light. The Wide View Filter on the LCD means that the camera can be pitched at various shooting angles to enable framing of awkward shots. Viewable at 160 degrees in both vertically and horizontally, the LCD is bright and clear for beautiful rendition of shots in playback.
Dual Image Stabilization
Long zoom cameras need stabilization more than any other compact, with handshake and subject movement a particular problem in low light at telephoto range. The FinePix F70EXR reduces blur to a minimum by deploying Picture Stabilization to automatically increase shutter speeds to freeze action, and CCD Image Stabilization to counteract the problems of handshake. By cleverly combining these two, blur is reduced to an absolute minimum.
Face Detection With Automatic Red-eye Removal
To provide perfectly exposed and focused portrait shots, the FinePix F70EXR is fitted with Fujifilm’s latest Face Detection technology which is able to track up to 10 faces simultaneously, at almost any angle to the camera. The system instantly corrects red-eye, as fast as 0.1 second, and then saves both the original and the corrected image file automatically.
Summary of the FinePix F70EXR Specifications
* Super CCD EXR 1/2” 10 Megapixel switchable sensor
* EXR Priority Modes and EXR Auto Modes
* Fujinon 10x optical zoom (27mm – 270mm)
* 2.7”, 230k dot High Contrast LCD Monitor
* Ultra High sensitivity (up to ISO 12800 at 3 MP Resolution)
* Pro Focus Mode / Pro Low light Mode
* Dual Image Stabilization (ISO and CCD Shift)
* 5 Film Simulation Modes
* Up to 800% Wide Dynamic Range
* Face Detection with Automatic Red-eye Removal
* Super Intelligent Flash
* Movie Mode with sound (640 x 480, 30 fps)
* High Speed Continuous Shooting of 5 fps up to 12 frames (3 MP resolution)
* 230 shot battery life (with included NP-50 Li battery
Availability & pricing
The FinePix F70EXR will be available end of August 2009. SRP will be announced nearer to the date of the launch.
* Pixel Fusion Technology: Technology of Fujifilm changing the colour filter arrangement. Two side-by-side, same-coloured pixels are taken together as a single pixel. The area of imaging elements is doubled, the sensitivity is twice the normal level, and "dark noise" is extremely small. Therefore, it is possible to create a high sensitivity image with little noise, instead of increasing the gain from a single pixel and increasing the noise
I just wanted to find a private place while we’re waiting for the train, so I could tell you how I feel about you…
Image by Ed Yourdon
Note: this photo was published in an undated (Feb 17, 2011) Everyblock NYC zipcodes blog titled "10463."
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This is a continuation of a series of subway photos that I began in 2009-2010, which you can find here and here on Flickr, and which I’ve continued — on a station-by-station basis — in 2011. The photos in this set were taken on the uptown platform of the 225th St station, on the Bronx side of the Harlem River, in February 2011.
Note: I chose this one as my "photo of the day," among the 15 photos that I uploaded to Flickr on Feb 17, 2011 — mostly because it reminds me of a particular "photographer’s behavior" that I need to keep in mind for situations like this. The problem is this: anyone viewing this photo has to ascertain the "context" of the photo, and decide whether it’s interesting or boring, confusing or "obvious," and ultimately whether they like it or not. Where is this couple? How did they get there? Why did they choose this particular place to stand? What’s going on between them? What are they talking about?
Often, the photographer (me, in this case, of course) does not have complete answers to these questions — but ultimately, he is trying to figure out the context, and decide whether it’s interesting enough to present to an "unknown" audience. Of course, in today’s digital world, you have nothing to lose by taking a dozen photos, and then deleting them afterwards if they turn out to be boring. But the real problem is this: the photographer always has more context available to him than the viewer does, and some of it consists of information that’s not anywhere in the photos (i.e., by virtue of being there, I know where this photo was taken). And some of it consists of information that’s available in the half-dozen additional photos that I took, and reviewed, but ultimately decided not to upload to Flickr.
So I’ve ended up with a photo that’s meaningful (and interesting) to me … but I always have to ask myself whether this single photo — without all of the additional contextual information — is likely to be interesting to an audience of viewers whom I don’t even know out there on the Internet. I can never be sure, of course, but at least I have to consider the question…
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Over the years, I’ve seen various photos of the NYC subway "scene," usually in a relatively grim, dark, black-and-white format. But during a spring 2009 class on street photography at the NYC International Center of Photography (ICP), I saw lots and lots of terrific subway shots taken by my fellow classmates … so I was inspired to start taking some myself.
One of the reasons I rarely, if ever, took subway photos before 2009 is that virtually every such photo I ever saw was in black-and-white. I know that some people are fanatics about B/W photography as a medium; and I respect their choice. And I took quite a lot of B/W photographs of my own in the late 60s and early 70s, especially when I had my own little makeshift darkroom for printing my own photos.
But for most of the past 40 years, I’ve focused mostly on color photography. As for photos of subways, I don’t feel any need to make the scene look darker and grimier than it already is, by restricting it to B/W. Indeed, one of the things I find quite intriguing is that there is a lot of color in this environment, and it’s not too hard to give some warmth and liveliness to the scene…
To avoid disruption, and to avoid drawing attention to myself, I’m not using flash shots; but because of the relatively low level of lighting, I’m generally using an ISO setting of 3200 or 6400, depending on which camera I’m using. As a result, some of the shots are a little grainy – but it’s a compromise that I’m willing to make.
Thus far in 2011, I’ve been using a small, compact "pocket" camera == the Canon G-12 — in contrast to the somewhat large, bulky Nikon D300 and D700 DSLRs that I used predominately in 2009 anbd 2010. If I’m photographing people on the other side of the tracks in a subway station, there’s no problem holding up the camera, composing the shot, and taking it in full view of everyone. But if I’m taking photos inside a subway car or photos of people on the same side of the platform where I’m standing, I normally set the camera lens to a wide angle (18mm or 24mm) setting, point it in the general direction of the subject(s), and shoot without framing or composing.
What I find most interesting about the scenes photographed here is how isolated most people seem to be. Of course, there are sometimes couples, or families, or groups of school-children; but by far the most common scene is an individual standing alone, waiting for a train to arrive. He or she may be reading a book, or listening to music, or (occasionally) talking to someone on a cellphone; but often they just stare into space, lost in their own thoughts. Some look happy, some look sad; but the most common expression is a blank face and a vacant stare. It’s almost as if people go into a state of suspended animation when they descend underground into the subway — and they don’t resume their normal expression, behavior, and mannerisms until they emerge back above-ground at the end of their ride.
Anyway, this is what it looks like down underground … or at least, this is what it’s like in the stations I’ve visited and photographed so far. If I feel energetic enough in 2011, maybe I’ll try to photograph people in every subway station. It would be interesting to see what kind of variety can be seen…
20090819_hiRes_s90_front
Image by hopeless128
LONDON, UK, 19th August 2009: Today Canon announces the PowerShot S90 – marking the return of the Canon PowerShot S-series. The PowerShot S90 continues the PowerShot S-series tradition with impressive, fully manual features that deliver excellent image quality and user experience, including:
Canon’s Dual Anti-Noise System with an f/2.0 wide-angle lens, a 3.0 inch, PureColor II LCD display and an intuitive new lens Control Ring.
Exceptional image quality in all conditions
The PowerShot S90 features Canon’s Dual Anti-Noise System, combining a high sensitivity 10.0 Megapixel image sensor with Canon’s enhanced DIGIC 4 image processor. Photographers can capture full resolution images – even in tricky lighting conditions – with the Dual Anti-Noise System taking maximum advantage of the available light, while substantially reducing image noise.
This is particularly useful in low-light portrait and landscape photography, where users are able to shoot high quality full resolution images even at ISO 3200. DIGIC 4 also includes an enhanced version of i-Contrast: Canon’s Intelligent Contrast Correction technology, which delivers a wider dynamic range to reduce high-light blowout while retaining low-light detail.
The f/2.0 Advantage
Canon has fitted the PowerShot S90 with a wide aperture f/2.0 wide-angle lens to help photographers take full advantage of the Dual Anti-Noise System. The f/2.0 wide-angle lens allows twice as much light into the camera as an f/2.8 lens, enabling photographers to use faster shutter speeds to reduce blur or achieve a shallower depth of field.
The camera also includes Canon’s optical Image Stabilizer (IS) technology, which uses a lens-shift system to minimise camera shake and image blur – effectively giving photographers a 4-stop advantage over less capable cameras.
To help users capture the perfect shot, the PowerShot S90 includes a 3.0 inch LCD display, which features Canon’s PureColor II LCD technology. It enables users to frame and review images easily thanks to an exceptionally wide viewing angle, 461k dot resolution and great colour rendition.
Sophisticated performance, sensational ease of use
As befits a camera of this calibre, the PowerShot S90 features a wide range of powerful manual and automatic controls that give photographers creative freedom.
The PowerShot S90 features an intuitive lens Control Ring, which enables users to adjust the settings of various functions by twisting the selector at the base of the lens barrel to the left or right. The Control Ring can be used as a quasi-manual zoom offering a closer view of subjects in 28mm, 35mm, 50mm, 85mm and 105mm steps.
Additional settings can be assigned, such as ISO (in 1/3 stop increments), shutter, aperture, focus and exposure compensation – giving photographers a satisfyingly tactile experience. The Control Ring also helps enhance user interaction with the camera by offering fast, accurate scrolling through menus, functions and images. In new Nostalgic Mode the Control Ring can also be used to add an aged effect to the shot, from a subtle faded look to full grainy black and white.
Smarter Scene Detection
For more creative control, users can also choose from a variety of Scene Modes (SCN on the Control dial) that enable them to choose the best settings for particular shooting situations – ideal for creative effects or when shooting in difficult lighting. A new Low Light mode can help users capture reduced resolution 2.5 Megapixel images in very dim light at ISO speeds of up to ISO 12800 and at a fast 2.4 frames per second.
Photographers can also choose from a range of creative modes including Aperture priority AE, Shutter priority AE, Program AE, Manual and Custom modes. Choosing and using different camera settings is now even easier thanks to an improved menu navigation system, which includes ‘Hints & Tips’ on most settings and features.
The PowerShot S90 allows fine custom adjustment of the camera’s white balance settings – enabling compensation of different kinds of tungsten, fluorescent and other light conditions for perfect results every time.
For quick and easy snaps, the PowerShot S90 includes Smart Auto with Scene Detection Technology. This selects the scene type from 22 variables, applying the best settings for optimum output – a great asset to those who love to point-and-shoot without worrying about the technical details. Smart Auto now measures movement of objects or people in a scene, activating Servo AF/AE to ensure that the focus and exposure are locked onto a subject.
In addition, the PowerShot S90 offers RAW format shooting and support for Canon’s Digital Photo Professional (DPP) software, making it easy to integrate the camera into a user’s digital workflow. Users will also find it easy to share images captured on the camera with family and friends, thanks to an HDMI mini port, which enables the camera to be connected to a compatible TV using an optional cable.
With a strong heritage and impressive range of features the PowerShot S90 is the ideal compact camera for technology and photographic enthusiasts alike.
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Question by : What is the best compact digital camera of 2009?
i was going for the Sony Cybershot T900, but heard it is bad in low lighting.. (and i will be using my camera a lot for indoor occasions)
i also want it to be compact for carrying along everywhere.
i spent hours online reading reviews & now i’m even more confused!.. Sony? Canon? Fujifilm? Help!
Best answer:
Answer by Gomsew
You can visit here
http://reviews.cnet.com/best-compact-cameras/
http://digital-cameras.toptenreviews.com/compact/
http://www.photographyblog.com/articles_best_digital_camera.php
then you can decide yoursely which is Best Digital Camera 2009..
Know better? Leave your own answer in the comments!
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Stealth Cam Infrared Digital Video Scouting Camera (Black)
- Digital scouting camera offers day/night video or still images with a 40-foot infrared flash and 2X or 4X digital zoom
- 640 x 480 digital video records 10 to 180 second clips with audio; 8, 3, and 1.3-megapixel still images
- Burst mode produces 1 to 9 images per triggering and 1 to 60 minute time out settings
- Time/date/moon phase stamp on video files; compact housing measures: 6 by 4 by 3 inches (H x W x D)
The new UNIT is a micro-sized trail camera that is easy to conceal in the woods. Its small size and lightweight aids in the ease of transporting the camera into the woods for set up, fitting perfectly into a backpack. Beyond its micro-sized package, the UNIT contains a number of new features that allow it to compress video much more effectively than ever before. It provides greater flexibility for applications to a wide variety of network environments. The UNIT is 640×480 video trail camera with
List Price: $ 149.99
Price: $ 106.08
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Replacement Battery Charger for Polaroid t1031 t1035 t1234 t1235 Digital Camera
- This battery charger is an AC wall and DC car two in one charger.
- Its unique flat pin, foldable design allows easy storage and makes it a compact battery charger.
- Smart charging LED indicator automatically turns to trickle charge after the battery fully charged.
- Auto switching power voltage is from 110V-240V and it comes with a free European AC plug adapter.
- Note it is an external battery charger only, not working as power cable or AC adapter.
Product Description
This wall and car 2-in-1 battery charger kit charges the battery of Polaroid t1031, t1035, t1234, t1235. The package includes an AC wall charger and a 12V cigarette lighter adapter (DC car cable) for any vehicles, plus a free European AC plug adapter, which you can use in most Asian and European countries. Its slim, lightweight design makes the charger extremely convenient for travel use and it is one of the most compact battery chargers on the market. The home and car travel
Price: $ 6.46
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In part 2 of my Canon SX200 IS Digital Camera Review I take a look at the features, controls, lens and overall design. You will also find actual video footage in HD taken with the SX200. Manufacturer website: www.canon.co..uk Sponsor: www.eazydraw.com Check out more great reviews on my YouTube Channel: www.youtube.com Or on the website: www.geekanoids.co.uk
Video Rating: 4 / 5
Watch our review of the Fujifilm F550 camera, to learn about the features of this new 15x zoom compact camera. For more great reviews, visit pluggedin.co.uk
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HD Handheld Digital Video Camcorder & 12MP Camera w/ 8X Digital Zoom + TV-Out – Dr. Tech HDDV-5520 Black
- The HDDV-5520 offers 13 levels of focus adjustment, along with exposure correction of up to 2.0 EV in 0.3 EV steps.
- Fast menu setting – An upgraded concept of the Smart Touch Button that allows you to set the menu faster and more precisely by seeing the menu on the LCD.
- It is power on the go with three AA-size batteries (or rechargeble AA battery) – You don’t need to worry about running out or recharging batteries. Since AA-size batteries can be purchased at any store, simply get new ones locally.
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Product Size(LxWxH) 113x63x37mm
Function Digital Camcorder?Digital Still Camera?Removable DISK Driver?AV OUT
Sensor 5.0 Mega pixels CMOS (Effective Pixelss:2560×1920)
Image resolution VGA?640×480?
3.0 M (2048×1536)
5.0M (2560×1920)
8.0M (3264×2448, Hardware Interpolation)
12M (3920×2940, Hardware Interpolation)
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VGA 640×480
QVGA 320×240
Video frame rate 30fps@ D1 with sound
30fps@ VGA with sound
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Question by jamesschwenn: What is the best Compact Digital camera for under 0 dollars?
My Nikon Coolpix 4600 4.0 megapixel finally crapped out. I’ve read a million reviews and am finally overwhelmed. I need help deciding what Digital camera to purchase. I’m not a photogropher, just someone who loves taking pictures. HELP!
Best answer:
Answer by Annafur
LOL I have the same camera 
This one i’ve used and i really like it , though it has a lot of settings kinda like a DSLR , so if you don’t know much about cameras then you won’t really like it :
http://www.circuitcity.com/ssm/Canon-PowerShot-A590-IS-8-Megapixel-Digital-Camera-POWERSHOTA590/sem/rpsm/oid/205246/rpem/ccd/productDetail.do
Here’s another that’s a lot simpiler :
http://www.circuitcity.com/ssm/Canon-PowerShot-A470-7-1-Megapixel-Digital-Camera-Orange-POWERSHOT470O/sem/rpsm/oid/205948/catOid/-16941/rpem/ccd/productDetail.do
i’ve used it before ,and it’s really easy to use .
Give your answer to this question below!
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Ricoh CX2 Digital Camera Review. This is a superb compact camera with great ergonomics and some very nice features. Check out the review and leave your comments. This review was shot with the Sanyo Xacti VPC-FH1. Manufacturer: www.ricoh.com Sponsor: www.crucial.com Check out more great reviews on my YouTube Channel: www.youtube.com You can also find tech & gadget news on: www.youtube.com For reviews, opinion & news visit: www.geekanoids.co.uk
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bit.ly I love the new Fuji f550EXR compact camera. Not only does it make a perfect travel camera, but it offers 16 megapixel images, and, it will shoot in RAW as well. It also has some of the most impressive pre sets I have seen on most point and shoot cameras. In this video I talk about two of my favorites, first is the Panorama feature, which allows you to pan or sweep your camera up to 360 degrees, and the camera then somehow stitches the images into one single panoramic shot. There are options inside the selector that allows you to shoot in various formats. A second preset I like is called Pro Focus. In this mode, with one click, the camera takes up to three separate shots, keeping your main subject in focus, and blurring out the background, similar to what you see in professional portraiture or wedding photography. Again, you can achieve this look manually, but you may not have to because the camera does such a good job. I have a full, in depth written review at the link here if you are interested. bit.ly You can also visit my main blog at betterphotographytoday.com
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Read This Book Before You Buy A Digital Camera
“Picture perfect” This is the quality a customer would like to get out of his or her shots. Whether a first time snapper
or an experienced professional, everyone looks for the capture that is perfectly clear and can last a lifetime.
Buying your camera can be confusing if you do not have any idea what features you can consider in finding the best
one. Other than that, it can also be impractical if you do not have enough knowledge of what can best suit your
needs and lifestyle.
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